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The 3D film l’Ogre du Danube: beauty on the brink of chaos


News . 25 Apr. 2025

Signed by Louise Bernard, Théo Fortin, Pierre Bournigault, Juliette Dupont, Robin Horel, Lina Samylourdes, Margaux Malinge, and Inès Sanchez during their final year at ESMA (2023), L’Ogre du Danube stands out for its clever contrast of registers, oscillating between beauty and darkness. Since its release, this short film has continued to attract the attention of international festivals, captivated by its uniqueness.

 

A fiery escape from the heart of a torn Yugoslavia

With artistic direction of rare finesse, L’Ogre du Danube takes us on the desperate flight of Yulya, a young woman who, alongside her lover Novak, attempts to leave Yugoslavia. Guided by the mysterious Matko, they sail down the Danube, carried by the illusion of a possible future. But just as they are about to leave, their dream is brutally shattered: the lovers fall into the Ogre’s lair.

This poignant story takes place in a tense Yugoslavia, the scene of a fractured political climate where violence simmers beneath the surface. The film tackles heavy themes—exile, betrayal, the brutality of men—head-on with striking maturity. A bold work, born from the sharp and committed gaze of young filmmakers at the height of their art.

 

The art of contrast: a striking graphic vision

A striking interplay of contrasts, a subtly orchestrated composition, brought to its peak with remarkable mastery.

From the very first images, the viewer is struck by the bold artistic direction: a distinctive visual style that combines illustrative finesse with a graphic approach inspired by major pictorial trends.

Our film was created in a search for artistic contrasts. We sought to bring out concepts by contrasting them with each other: the humanity of our characters in the face of barbarism, vibrant colors in the face of tragedy.”

 

The directors are keen to point out that their short film does not spare the viewer, as some passages are raw and highly intense: “There are some pretty violent and graphic scenes. […] Choosing a relatively colorful, illustrative, and aesthetic graphic style allowed us to recapture the poetry that we loved in our references.”
It is precisely this contrast that guided their aesthetic choices. By opting for a colorful, illustrative, and visually refined graphic universe, they were able to reinject a sense of poetry and sensitivity, echoing the works that inspired them.
Among their notable influences is the cinema of Emir Kusturica, the undisputed master of blending brutal realism with lyrical flights of fancy. But many other artists have fed their imagination since the project’s inception.

 

 

In this fully embraced artistic approach, a contrast immediately emerges: that of a refined, almost mesmerizing aesthetic juxtaposed with the harshness of an uncompromising narrative. This constant juxtaposition between the beauty of the images and the violence of the situations infuses the film with a palpable tension, both visual and narrative.

This duality is also reflected on a technical level. “In designing our images […], we were confronted with the opposition between organic illustration with unrestrained graphics and a so-called ‘traditional’ photorealistic 3D rendering.”

It’s a bold gamble that further reinforces the project’s unique identity.

 

It is in this delicate balancing act between stylistic rigor and graphic freedom that they have managed to build a visually striking world, both suffocating in its intensity and captivating in its visual richness.
A contrasting universe, sometimes disturbing, but always captivating to the eye.

 

Congratulations to all the filmmakers who contributed their talent to this major project.

Watch the 3D film l’Ogre du Danube now on our YouTube channel: